Nine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.
Gingham: Washes photos out. Gives a yellowish tone when used on dark photos or a brighter, dreamy look when used on light photos.
Michael e Kyle largaram seus empregos para imaginar mais por 13 horas do trilha para a série. Cabelo das antigas Este cabelo por Winona Ryder foi inspirado no penteado da personagem de Meryl Streep no filme Silkwood - Este Retrato de uma Coragem. 17 Segredos por trás das filmagens
The Duffer Brothers prepared a script[when?] that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[25] They pitched the story to about fifteen[26] cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's series or to drop the children and focus on Hopper's investigation in the paranormal.[24] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited the Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[27] the series was subsequently announced for a planned 2016 release by Netflix in early April 2015.
The incidents have led to a #FreetheNipple campaign, aimed at challenging Instagram's removal of photos displaying women's nipples. Although Instagram has not made many comments on the campaign,[300] an October 2015 explanation from CEO Kevin Systrom highlighted Apple's content guidelines for apps published through its App Store, including Instagram, in which apps must designate the appropriate age ranking for users, with the app's current rating being 12+ years of age.
The series' popularity increased sales of the A Song of Ice and Fire novels (republished in tie-in editions), which remained at the top of bestseller lists for months. According to The Daily Beast, Game of Thrones was a favorite of sitcom writers and the series has been referred to in other TV series.
[273] Some reviewers have noted this is part of a wider trend[274] among shows that are made by people who have experience working primarily on films, suggesting they "haven't grasped the nuances (or lack thereof)" of television as a medium, especially the differences between watching a scene on a television screen versus watching it on the big screen in a movie theater.[275]
According to The Washington Post's Anna Holmes, the nude scenes appeared to be aimed mainly at titillating heterosexual men, right down to the Brazilian waxes sported by the women in the series' faux-medieval setting, which made these scenes alienating to other viewers.[253] The Huffington Post's Maureen Ryan likewise noted that Game of Thrones mostly presented women naked, rather than men, and that the excess of "random boobage" undercut any aspirations the series might have to address the oppression of women in a feudal society.
Systrom further stated that "When we adopted [Stories], we decided that one of the really annoying things about the format is that it just kept going and you couldn't pause it to look at something, you couldn't rewind. We did all that, we implemented that." He also told the publication that Snapchat "didn't have filters, originally. They adopted filters because Instagram had filters and a lot of others were trying to adopt filters as well."[170][171]
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To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[47] The Duffer Brothers wanted to scare the audience, but not to necessarily make the series violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.
[25] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[46]
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Many fans took to social media during the episode to complain about the color palette, with some wondering if it was their TV brightness setting that was the issue.